THE BOOK OF ELI OST
The Book of Eli Soundtrack, find all 45 songs from the The Book of Eli () movie music soundtrack, with scene descriptions. Listen to and. The Book of Eli () SoundTracks on IMDb: Memorable quotes and exchanges from movies, The Book Of Eli Original Motion Picture Soundtrack Cover. Check out The Book Of Eli Original Motion Picture Soundtrack by Various artists on Amazon Music. Stream ad-free or purchase CD's and MP3s now on.
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The Book of Eli Original Motion Picture Soundtrack features an original score by composer/musician/producer Atticus Ross, marking his third collaboration with. The Book Of Eli Original Motion Picture Soundtrack, an album by Atticus Ross on Spotify. Find album reviews, stream songs, credits and award information for The Book of Eli [Original Score] - Atticus Ross on AllMusic - - The original soundtrack.
Did you have any similar troubles?
AF: I've heard of that story, by the way. I love the scores that they've done, but I heard that on The Road that there were some problems. Luckily we didn't have to deal with any of that. With David I think that he's probably got such an amazing track record that there's no executive interference, it couldn't be any better.
TR: I had never done this before, and I emerged from this process feeling like it was one of the most rewarding creative experiences of my whole career.
This is because I was working with people who had the same level of integrity as I try to keep in my own house. It was also interesting to work in a capacity where I'm serving picture, and I'm trying to work under David and serve what he wants, I found it very refreshing and inspiring to work in that context.
As far as studio, we had no interaction with them during the creative part of it, and post finishing the film they've been I'm coming from the record business where it feels like everybody is the stupidest person you've ever met, and this was a very refreshing experience. I'm sure it's not the norm, but the studio came down to me and said 'do you want to put the record out, it seems like you guys know what you're doing.
Was that a deliberate intention?
AR: It's funny that you mention those three because we all come from making records. In this case, we went back, and we'd done the score for the film that was the best we could do. We wanted to make the record the best we could in terms of a listening experience.
The Book of Eli OST
So we went back and extended versions, added parts, just tried to tweak the record to be as much like a record as we could while still being faithful to the film. TR: We thought we'd write some impressions of what we thought would fit this film.
We tried to emotionally get behind the scenes of what Fincher is trying to create, and to make them into pieces of music. Those were originally three to six minute long chunks that worked in the format, we started inserting them into the picture and then started working in the more traditional sense of fitting things around dialogue, still trying to maintain some form of musicality when frames disappear in the editing process. When we finished Atticus and I went back and listened and found we pretty much had a listenable album, and I'm pleased with the way that the soundtrack as an album came out.
AF: There are a couple of things on it that were inspired by the film in those original writing sessions but didn't actually end up in the film, and we felt that would be an appropriate place for them to live. What equipment were you using? There are some nice old sounds on there TR: I've always fancied myself as a synth guy, but then my infatuation with plugins and everything being digital has given way now to the realisation that an old or new modular synth plugged into things You can also start treating it like a performance, which we've started doing on the last few albums, and the result of that on your own creativity is that you can get records or pieces of music that sound like there is humanity in them, via imperfections or things not being quite in tune, or a little distortion, whatever it might be.
Digital Booklet - The Book of Eli OST
For the aesthetic we were trying to achieve for this record David gave us the reference that he wanted something synthetic sounding, he referenced some of the iconic work of Tangerine Dream, or Bladerunner, but we thought we can use that as the scenery and stage for this, but let's add some imperfection to this, because through the film Zuckerberg is a very imperfect character. His noble traits would be his pursuit of inspiration, and his willingness to put all things aside in order to pursue this thing that is bigger than himself, but there are casualties of that.
Trent, you were a famous consumer of social media. Did that have an impact?
TR: Honestly, not really. What is the song Gary Oldman's main henchman is whistling while they drive? The sequence occurs during certain time frames in the film i.
Played beautifully on pan pipes. What is the very first song we hear in this movie, before the cat hunting scene even begins?? The song Eli was listening to on his iPod is not on the track. I know it's a Bee Gees song but can I have the title and the singer that sang that version?
The score contains a well balanced mixture of electronic elements, rock instrumentation and ornamentation in places, and beautiful classical elements with excellent dynamics, layered, expansive textures and effects, without once sounding overdone. Given the post-apocalyptic nature of the film, and the sonic impressions offered in its trailer, what transpires here is actually quite understated as a listening experience -- a real positive. The cues, whether they be adorned by strings, synths, guitars, drums, or operatic voices, are equally balanced and utilized not simply as workmanlike devices for furthering the story in the film, but to adorn a work that can be widely enjoyed apart from its cinematic counterpart.
Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love.
Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes.Speaking of the film I have a knowledge of what is going on in that world which I think is good to have.
Atticus Ross and I have been on a creative roll so I asked him if he wanted to work on this with me and we signed on.
Background[ edit ] When Trent Reznor was originally asked by director David Fincher to score The Social Network , he initially declined, partly due to just finishing up a long touring and recording schedule. What makes these cues slightly better than the rest is that it has a very zen calming quality to them and a hint of melody. And dark!
I liked playing music, I related to it, it is the soundtrack to everything I have done, and every memory has music associated with it, but being in a band and being in the music business and getting older, I can't tell you how many times I've realised that some of the magic has gone, that I've become cynical or jaded, or felt that the climate for making music beats you down.
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