myavr.info Fiction The Influencing Machine Pdf

THE INFLUENCING MACHINE PDF

Tuesday, June 25, 2019


The influencing machine: Brooke Gladstone on the media / illustrated by Josh Neufeld ; with additional penciling by Randy Jones and Susann FerrisJones. I am Brooke Gladstone, and I am a reporter. Hello, Brooke. To read The Influencing Machine: Brooke Gladstone on the Media. The Influencing Machine: Brooke Gladstone on the Media eBook, you should click the web. PDF | Although critics have historically maligned comic books as a childish or inconsequential medium, graphics-based narratives have successfully conveyed .


Author:KIRK CLOFFI
Language:English, Spanish, Arabic
Country:Cape Verde
Genre:Technology
Pages:171
Published (Last):02.03.2015
ISBN:898-3-17857-907-9
ePub File Size:18.43 MB
PDF File Size:18.67 MB
Distribution:Free* [*Regsitration Required]
Downloads:39636
Uploaded by: SHELIA

Election coverage is on the donut, as are discussions of social, economic, even war policies, once they are nudged out of the sphere of consensus by people in. Editorial Reviews. Review. “This is a comic book with zest and brainsand it just might help a reader understand the brave new world.” - New Yorker “. “It's easy to imagine The Influencing Machine becoming mandatory reading in journalism classes around the country.” - Philadelphia Inquirer “One of the coolest.

It took me some 20 years of writing about the media to coalesce a view coherent enough to call my own.

Join Kobo & start eReading today

The fact that I chose a comic-book format to present that view might seem a little peculiar to those who know me from the radio. After all, radio is the medium without pictures.

But it's not really. More than television, more than newspapers, radio creates a sense of intimacy—the illusion of a one-to-one relationship—because the listener relies on the reporter's voice to paint pictures.

File history

Voices are very personal. I thought that I could re-create radio's intimacy if I had the ability to look readers in the eye while guiding them through my media manifesto, The Influencing Machine , which starts with the invention of writing and ends in the year Another reason for using comics: The world is full of media books with competing predictions of cyber-utopia or annihilating chaos.

I steer between those shoals, and sometimes bump up against both of them.

My argument don't rejoice, don't panic is built on many small, historical moments. Gladstone, BrookeComic books, strips, etc. Graphic novels. Neufeld, Josh. Jones, Randy, III.

Navigation menu

Jones, Susann. G53 I like people to tell me important stuff. Complicated stuff. Personal stuff, sometimes. I even kinda like it when they cry. I cant help it. Im a radio reporter. She once said that being a reporter is as much a diagnosis as a job description.

The Influencing Machine

Not true for everyone, but. Like when the Twin Towers fell -- my station was nearby. We had to evacuate. And my show was suspended for a week. Couldnt explain it to other people. So I couldnt explain it to myself.

THE INFLUENCING MACHINE animated book trailer!

My head almost exploded. So maybe thats what I get out of making media.

But what do we get out of consuming media? Especially news media?

We hunger for objectivity, but increasingly swallow news like Jell-O shots in ad hoc cyber-saloons. We marinate in punditry seasoned with only those facts and opinions we can digest without cognitive distress. Sometimes we feel a little queasy about it queasiness we project back onto the media.

But we dont really get agitated until we encounter the other guys media. Those guys are consuming lies. They are getting juiced up. Their media diet is making them stupid. What if our media choices are making us stupid? What if theyre shortening our attention span, exciting our lusts, eroding our values, hobbling our judgment? Ive been reporting on the media for some 25 years, apparently none of them good years.

The concentration of media ownership, the blurring of news and opinion, the yawning news hole theres teeth in there! I see our most hallowed journalistic institutions crumbling, I see the business model that relied on mass audiences being displaced, with stunning speed, by one that survives by aggregating millions of tiny, targeted audience fragments.

The reality that anyone with a cell phone can now presume to make, break, or fabricate the news has shaken our citadels of culture and journalism to the core. The once mighty gatekeepers watch in horror as libelous, manifestly unprofessional websites flood the media ether with unadulterated id. Weve been here before: In fact, its been far worse and the Republic survives.

The irony is that the more people participate in the media, the more they hate the media. The greater the participation, the greater the paranoia that the media are in control.

But Ive watched journalists cover countless catastrophes,. Ive seen how public opinion coalesces around the issues dominating the news, and I can tell you that no one is in control. There is no conspiracy. Even though the media are mostly corporate-owned, their first allegiance is to their public because, if they lose that allegiance, they lose money.

Sometimes the press leads the public; sometimes the public leads the press.

The media, at least the mainstream media, dont want to get too far ahead. They just dont want to be left behind. Thats a joke.

Not quite so funny. Once I was confronted by a gaggle of high-ranking Chinese journalists who pointed to several instances in which American news outlets pulled their punches when reporting on the Bush administration and the Iraq war.

They said that proved the American media were afraid of the government. Thats ridiculous, I replied. The American media are not afraid of the government. They are afraid of their audiences and advertisers. The media do not control you. They pander to you. Since the industrial age began, there has been the recurring delusion that an evil machine is controlling our minds.

On December 30, , in the House of Commons, debate is leading to a declaration of war with France. Tea merchant James Tilly Matthews is determined to stop it.

Cant breathe. The minds of powerful men are being controlled by a diabolical machine, fueled by cesspool stench, dog effluvia, human seminal fluid, and horse flatulence. I call it the Air Loom. It weaves and magnetizes the gases, which are then released to plague its victim with grotesque visions, poison his dreams, confound his reason, and drive him to war.

See how the Air Loom uses the new science of gases? Influencing Machines always incorporate the latest scientific breakthroughs of their eras. It uses fluid-locking to freeze the tongues of politicians. Kiteing to fix an alien idea in the mind where it undulates for hours, pushing all other ideas aside.

Usually, Matthews is cogent and reasonable, but he never wavers in his belief in the Air Loom. He is Patient Zero, the first of many to be tormented by an Influencing Machine. But the syndrome has yet to be given its name.

This brilliant radio. The cartoon Brooke conducts the reader through two millennia of historyfrom the first tabloid in Caesars Rome to the rise of objectivity as a ploy to sell penny papers to the manipulations of contemporary journalism. Gladstones manifesto debunks the notion that The Media is an external force, outside of our control. All along, weve been constructing, and filtering, what we watch and read.

With fascinating digressions, sobering anecdotes, and brave analytical wit, The Influencing Machine equips us to be smarter consumers and shapers of the media.See if you have enough points for this item.

Composition Project: Jones, Susann. With permission of the publisher, Vintage. The American media are not afraid of the government.

MONET from South Dakota
Look over my other posts. One of my hobbies is nordic combined. I enjoy reading comics vacantly.