THE CIPHER KATHE KOJA PDF
Home · The Cipher Author: Kathe Koja The Alexander Cipher. Read more · Cipher The Cipher Manuscript - necronomicon · Read more · The Euphrates. Verified Book Library The Cipher By Kathe Koja Summary Ebook Pdf: The Cipher By Kathe Koja Ebook Pdf the cipher by kathe koja contains. Editorial Reviews. From Publishers Weekly. Down-and-out Nicholas and his friend Nakota one The Cipher - Kindle edition by Kathe Koja. Download it once .
|Language:||English, Spanish, Japanese|
|Genre:||Science & Research|
|ePub File Size:||16.86 MB|
|PDF File Size:||15.47 MB|
|Distribution:||Free* [*Regsitration Required]|
There's nothing at the center of Kathe Koja's novel The Cipher. Cipher. A vaguely-defined, but ominous figure shows up in the Funhole video. Publishers Weekly About the Author Kathe Koja's books include The Cipher, Skin , and Extremities; YA novels include Buddha Boy, Talk, Kissing the Bee, and. Oct 30, There's nothing at the center of Kathe Koja's novel The Cipher. Cipher. A vaguely-defined, but ominous figure shows up in the Funhole.
Rabbithole, some strange motherfucking wonderland, you bet They dub it "the Funhole" Koja's original title for the novel but it is anything but fun; it is a locus of obsession and transformation.
ABOUT THE BLOG
Nakota, conniving, manipulative, angular, and demanding, constantly pressures Nicholas to fuck with the Funhole, to test their limits. First, a jar of insects goes down into it; then a mouse.
All come back monstrously deformed and mostly dead. Finally they lower down a camcorder a funny dated bit is how difficult it is for them to actually get a camcorder and when they watch the recording they see something like bloody stalks, caressing the screen like hands behind the glass, a figure carving itself And this home movie that Nakota can't stop watching, and Nicholas accidentally gets his hand in there, and now there's a weeping seeping cipher in his hand, and his empty, aimless life is going down, down, down Until the local art-world poseurs get wind of something strange going on through Nakota, and start haranguing Nicholas to show them what he's doing, what's he got in there, can we see too?
They all find out, because the Funhole is calling him from its deeps, not music but the elegant drone of bodily organs If anything the only real flaw in Koja's book is that it is too relentlessly bleak, too scummy, too hopeless; characters bicker and bite, sex is a joyless spasm, Nicholas an alienated, near-unsympathetic loser and Nakota a bitch without the goddess.
The Cipher by Kathe Koja
But the cipher hungers for lives, no matter how derelict, and in a way the ending is foretold. What if somehow I'm crawling blind and headfirst into my own sick heart, the void made manifest? Dell reprint I loved this kind of existentialism when I was 20 but now, with a larger literary emotional palette, rereading it a third time! I found it somewhat one-note.
Maybe that's the point; it's oddly like a movie that was adapted from a one-set play in its insularity. No matter. There is a powerful originality in The Cipher that one usually doesn't find in paperback horror fiction; a fearlessness too as the novel operates, single-mindedly, in that metaphoric realm in which the monster always and only represents ourselves.
At this juncture in the novel—some seventy pages into The Cipher—Koja shifts gears. Readers are expecting a descent into the Funhole.
Just as Alice tumbled into the rabbit hole, and Jules Verne took his characters down to the center of the Earth, we anticipate that Nicholas and Nakota will make the inevitable leap into their black void. Recall that science fiction and fantasy tales evolved out of travel literature. So what genre author would build a novel around a mysterious hole, and never make the plunge? But Koja is not your typical genre writer.
Perhaps you could tell that just by glancing at her bio, which notes that she previously worked as a "bonsai lumberjack, an oyster cowboy, and a freelance criminologist.
In the course of The Cipher, we gradually discover that her main concern is less with the Funhole and more with the people drawn into its orbit. She has no interest in emulating Stephen Hawking, and serving up a theoretical explanation of the mystery she posits, and is equally unwilling to emulate Jules Verne and give us a guided tour of the unknown.
Instead, she adopts the modus operandi of a psychological investigator, deeply attuned to the ways different individuals react to transcendent experiences. She sees a connection between this tendency and her own spiritual quest—which started out under the auspices of the Catholic faith, then led to a separation from the Church, and finally a return to religious belief. The prevailing moral philosophy of Aquinas and Dante denied any reality to evil.
Evil possesses no positive qualities, according to this worldview—it is merely a negation of the good. As you approach the epitome of evil, its essential passivity turns into its sole defining trait.
Koja has found the perfect way of applying this line of thinking to a contemporary horror story. If evil, by definition, collapses into a nullity, its most terrifying manifestation must be some kind of black hole.
Nicholas eventually becomes the unwitting instrument of the Funhole. He attracts the curiosity, and eventually the rapt devotion, of a group of artists and bohemians. For those at the cutting edge of culture, out to find the next new thing, Nicholas and his black hole are as avant-garde as it gets.
Randy, a tow-truck driver who dabbles in sculpture, wants to see what the Funhole can do for his art. Malcolm, a cynical visual artist, also wants to tap into the eerie energy coming from the hole, and increasingly from Nicholas himself.
Other hangers-on and disciples-in-search-of-a-guru join the growing crowd in the storage room. It seems only a matter of time before police, and maybe even the military, decide to check out the scene.
The pacing of this book slows down considerably after the first hundred pages, and normally that would spell doom and gloom for a genre book. But Koja compensates through the sheer zest and energy of her prose.
As the narrative shifts to Nicholas's internal monologue on the pros and cons of his Funhole-centric life, and his morphing physiology, Koja turns increasingly to stream-of-consciousness techniques.
She relies heavily on meandering sentences, sentence fragments, eccentric punctuation, and paragraphs that collapse before reaching closure.See all 87 customer reviews Into nothing.
The State of the Art Ballard, J. It's a slow creeping tale, skittering just beyond your sight. The collaborative schemes of these two damaged souls will be the destruction of not just themselves but many, many others. The final sentence has another:.